fear not dear friend, Robert Louis Stevenson
Fear not, dear friend, but freely live your days
Though lesser lives should suffer. Such am I,
A lesser life, that what is his of sky
Gladly would give for you, and what of praise.
Step, without trouble, down the sunlit ways.
We that have touched your raiment, are made whole
From all the selfish cankers of man’s soul,
And we would see you happy, dear, or die.
Therefore be brave, and therefore, dear, be free;
Try all things resolutely, till the best,
Out of all lesser betters, you shall find;
And we, who have learned greatness from you, we,
Your lovers, with a still, contented mind,
See you well anchored in some port of rest.
The five points of architecture
from Andrea Stinga
on the road, Jack Kerouac
“I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was — I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.”
RISING TABLE (Bamboo)
by Robert Van Embricos
"…the rather simple idea of starting with a flat surface that is capable of transforming into a piece of stylishly designed furniture."
"…The Rising Table ignores the cliched notion that a table is little more than a flat surface that is held up by four separate legs. The result is a surprising mixture of fluid design that blends the multifaceted tabletop with the latticework of wooden beams that function as the center of the construct."
Summer House Vestfold 2 / JVA
"…The low elongated volume is cut into to allow for wind shielded outdoor areas, embraced by the house itself. These cuts also bring down the scale of the building, and together with the local variations of the section, make the building relate to the surrounding cliff formations."